After spending the night with a mysterious woman, a down on his luck DJ discovers evidence of a murder involving a dangerous drug dealer and a billionaire's son. Desperate for money, he must decide whether to blackmail the killer or help the girl out of escalating troubles.

It's rare to see a movie character utters this quantity of monologue, The Girl Is in Trouble might just beat Sin City for time spent narrating. It starts off well, cinematography is sleek for urban setting, the earlier scenes are intriguing and actors' performances are admirable. Sadly, the persistent rambling plods the pace severely, not to mention it tries to switch back and forth through different timelines and perspectives, even those of unnecessary characters.

August (Colombus Short) has experienced strings of unfortunate events, though they pale in comparison when he finds a snuff video on the phone of Signe (Alicja Bachleda). Situation gets worse as the persons on the video are tied to wealthy company and gangster. The actors do a fine job, they fit their roles very well. Colombus Short is presentable as the lead, he also narrates most of the movie, this part can be annoying though it's mostly the fault from the script.

Jesse Spencer as Nicholas, the rich guy and Wilmer Valderrama as Angel, the brother of a missing drug dealer perform their bests. They deliver a sense of dread and cunning nature in tandem. While most of the cast mainly dabble in TV shows, the acting department is very solid. Camera work highlights the ambiance of the street and this is particularly useful on creating the gangster or crime thriller atmosphere.

Narration pretty much hampers the entirety of the movie. August just won't stop blabbering. It seems he's psychic as well because he knows the most intimate moments of others. He is also historian, since he gives lecture about immigrants and history of the district. This goes on until the end, he even manages to cover that one friend from social media or that one lesbian fling. All of this with sudden shift in timeline and useless trivia.

The audiences will be most likely numbed by the constant jabbering before it reaches the climax. Nevertheless, the lively feel of the city and its occupants are good enough to overcome the distracting narrative, barely.